Denim Potters Apron with Split Leg, Crossback, Asymmetric Bib No4:6
Wonderfully comfortable crossback apron for pottery/craft. Medium-weight denim, with a soft drape, gives good protection for work, home and garden use. Unusual asymmetric bib and the overlapped split skirt offers lots of movement, whilst ensuring each leg is perfectly covered when sitting at the wheel or work bench. Easy-fit, adjustable cross back strap design, with no ties around the neck, or dangly ties coming undone when your hands are covered in 'muckiness'! There are two good size pockets for tools, bits and bobs. Beautifully sewn, thoughtfully designed and made-to-last, this apron is highly specialised craftsperson's workwear.
KEY FEATURES: Split Leg skirt • Adjustble cross back design with slider buckles • Exceptional coverage • Unusual asymmetric design • 2 large skirt pockets • Tough medium weight denim • Easy-fit • No ties around the neck • Strongly constructed • Thoroughly researched & tested design • Sustainable small batch making
SIZE: approx UK 8-18 (USA 4-14)(EU 34-46). 92cm bib top to hem, 27cm across bib top, 100cm apron skirt width. (Model size UK8/10, 5'7"/170cm)
FABRIC & CARE: 100% cotton 8oz denim. Machine washable 30C, slow spin. Do not tumble dry.
POSTAGE & ECO PACKAGING: (UK) Royal Mail 'Tracked 24' (USA) International 'Tracked'. Gift wrap and packaging (plastic-free): 100% recyclable paper & box, parcel tape is paper with natural rubber based adhesive fully recyclable & compostable.
ABOUT: To be honest I'm not quite sure what sparked the idea create an asymetric angled bib, but I'm glad I did because it really is the most comfortable easy-to-wear apron! I wear the original calico toile (mock up) of this apron in the studio. I recently completed a huge order of these No4:6 aprons in a cream lightweight fabric for a brand new pottery studio.
Working in my studio in hilly-leafy South-East London, I make aprons in small batches using cotton canvas, denim or drill - fabrics that are natural, washable and durable. Careful attention to detail, strength of construction and beautiful stitching result in a quality of finish simply not possible in mass production. I cut fabric economically, minimising waste and saving the small remnants to make one-of-a-kind bags for my ‘Boro Collection’.
